Monday, 16 February 2009

Songs on the brain

Songs this week that have ricocheted irritatingly around my head (due to their sharing a title with a book I can see from where I'm sitting) include the following:

"American Boy" - book by Andrew Taylor, song by Estelle
"Almost Blue" - book by Carlo Lucarelli, song by Elvis Costello
"Angel" - book by Elizabeth Taylor, song by Gavin Friday
"Thieves Like Us" - book by Steve Cole, song by New Order

Equally annoying and more contrived are the ones that suggest a song - I've been singing "Revelation" (by C J Sansom) to the tune of "Isolation" by Joy Division, "Holes" (by Louis Sachar) to "Gold" by Spandau Ballet, and most annoyingly of all, "Two Caravans" (by Marina Lewycka) to "Sweet Caroline" by Neil Diamond. Don't bother telling me you love Neil Diamond, I don't care. This is torture. I've resisted having an iPod for years, partly because the length of my commute hasn't warranted it since 2001, and partly because I quite like hearing the world as I go home (how else would I be finding the karaoke pub in Hammersmith such good auditory value?). But I think I may need one, as a kind of homeopathic remedy for the earworms. Because it's either that, or become one of those strange book-industry people who lurks in the stock room singing hymns really loudly to drown out The Voices, and I'm definitely not ready for that.

A couple more snippets because you all seemed to like them (honestly, I bet you're the sort of people who could live on unlimited snacks):

The TV advert for a thrush remedy (yes, the fungal infection, no not the bird) which said "It will leave you feeling yourself again" - possibly unwise on the basis of "If you pick at it it'll never get better"?

The rugby match I wish I'd watched = Nancy vs Nice. I bet that was amazingly civilised. And well-dressed.

Overheard on Saturday night from lovey-dovey couple holding hands over champagne glasses: "..and outside the laundrette I just puked pure water."

Apologies to anyone who got this three times on their feed - never again will I over-edit...

Monday, 9 February 2009

Snippets

I'm currently having what we charitably refer to as "kaleidoscope brain" chez Fishwife - mostly down to a weekend of slow but steady alcohol intake, and the fact that due to snow, cancellations and lunches I ended up working 2 and a half days last week (result!!!). I therefore have no coherent idea for a single and on-topic post and can only offer you a small selection of things that have stuck in what passes for my mind over the last few days.

1) I had lunch on Saturday with my parents; they were passing through West London to see a newly-adapted indie-thrash musical version of Wedekind's 1906 play Spring Awakening at the Lyric. My stepfather, musing, over a pub lunch: "Well, it'll be interesting to see how they fit the competitive masturbation scene to music..."

2) Overheard by my cousin in (of course) Islington: "Mummy! I've got pesto on my gilet!"

3) Hurrah for the return of the rat! Many of you may argue it has never been away and in fact is more with us than ever. I say every culture gets the vermin it deserves, and given the extraordinary stupidity of most popular culture (etc) these days, thank God at least we value brains and adaptability in our animal infestations. I know I've said this before (and will say it again, and no doubt again) but rats are highly intelligent and resourceful, they are loving and protective parents, and wash food before they eat it (where possible). Also they build separate latrine areas in their nests so food and sleeping areas are never contaminated. How unlike most celebrities.

This, you see, is the problem with the weekday lunch. Any more than a glass of wine in the middle of the day and I suddenly lose all ability to follow a train of thought, at least any one that doesn't go STARTER - WINE - MAIN COURSE - WINE - COFFEE - BRANDY - BRANDY - BRANDY - FAGS - INEVITABLE FLU FROM SMOKING OUTSIDE IN THE SNOW. Just had lunch with my friend Nicky Nicky Veronica Veronica, who is the nearest thing to me it's possible to get apart from being a few years older and a Virgo, and after half a glass of wine I had forgotten I had to go back to work. Luckily I remembered, and if my boss is reading this I'd like to say that I'm actually blogging in my tea break.
Best stop now...

Oh but PS - if there's another blog out there that manages to mention pesto and Wedekind in the same post, I'm very surprised...

Saturday, 31 January 2009

me me me me me me me me meme

The lovely Red Rum ("Your money's no good here, Mr Torrance...") has tagged me. I must write ten interesting and honest things about myself. "Interesting" is subjective, "honest" less so. This will probably be the last one of these I do for a while, as you all now know me better than is entirely healthy, given that we've none of us ever met in what I like to call "the flesh" (mostly because there's so much of it).

1) I've just this second sold a book to the blonde Aussie one from Sheila's Wheels. She was thoroughly charming and if I had a car I know where I'd be getting my insurance from.

2) I have only ever once made hollandaise sauce - it was perfect. I am now so worried that it'll never turn out that well again that I have never reattempted it.

3) I once shared a flat with an inordinately cool Zimbabwean guy called Dumiso; during the course of one rainy Sunday afternoon doing the ironing and watching Zulu we discovered that we were, respectively, descended from Gonville Bromhead and King Cetshwayo. We decided never to speak of it, although whistling "Men of Harlech" became shorthand for "I'm trying to annoy you".


4) I will eat anything except tripe (I hate the consistency), brains (not sure I like the idea of eating something that has ideas) and andouillette (made of bowel, smells of bowel). In my defence, I'm not particularly squeamish otherwise - I will happily eat kidneys, tongue, sweetbreads, black pudding, snails, etc, and in my time have eaten crocodile steak, water buffalo, snake, peacock, a scorpion, and a bee (on purpose, crystallised in honey).


5) I went on an anti-Vietnam War march in 1972 or -3; I was a small child at this point (!) and my deeply peacenik Canadian babysitter took me (I grew up in Montreal). At the age of 6 I knew who Nixon and Ho Chi Minh were, what "impeach" meant, and why there were so many American men suddenly living in Canada...

6) Further to the Canada thing, I was also living there when the October Crisis happened - so am the only one of my contemporaries who has, albeit briefly, lived under martial law.

7) I would sell my soul for the ability to drink a double espresso after midday without turning into a sleepless and jittery speedfreak. I love coffee, love it, love it, and it has ceased to love me since the day I turned 30, fickle swine that it is.

8) My family motto is Nil Desperandum. Which is a toughie to live up to on a drizzly day like today. Mostly I'm an optimist though.

9) I collect nice shiny facts like a magpie collects sparkly bits of tinfoil. In fact if I lived in Philip Pullman's world my daemon would undoubtedly be a member of the corvid family - maybe a rook, because they're sociable, highly acquisitive, and according to myth they like to tell stories.

10) My idea of perfect hell is massage. If there's one thing I hate more than being covered in oil, it's having to make polite conversation with a complete stranger while naked.

I'm going to tag Naweed, because I know for a fact he's never done one of these. Go, dude, make me proud...

Thursday, 29 January 2009

Life 2.0

Before I start I will just give you two little stories to illustrate this post:

1) My darling friend Foxy Highflyer was recently due to meet a man for a date. He blew her out, pleading a backlog of work commitments, which would have been a perfectly good excuse - if he hadn't, the following day, updated his FaceBook page with the status "Mike is SO HUNGOVER after last night's big bash" (or similar).
2) My equally darling (and foxy) friend Ziggaaah has been seeing, on and off, a man who conveniently lives nearby, and the other morning on her way to work saw his alleged ex-girlfriend emerging from his house well before breakfast time, and his FaceBook status was the same day updated to "Frank is In A Relationship".

Wait! Come back! This wasn't meant to be a moan about MEN. What this is, and here I finally get to my point, is a moan about what we have decided to call LIFE 2.0.©
Life 2.0 is exactly like life, just more so, and more technologically enabled. After all, what these guys were doing is just the cyber-equivalent of getting their mate to "casually" tell you they're not looking for a long-term relationship, or "accidentally" leaving the receipt for a dirty weekend in their suit pocket for you to find. It's not, of course, restricted to the field of relationships. Forgetting your PIN number is the Life 2.0 equivalent of the cashier at the bank refusing to believe that that is your signature. Killing your Tamagotchi.. well, need I go on? I realise I'm in no position to comment, as having a blog doesn't really equate to anything old-style apart from writing a diary which, unless you're very careless, never gets read by anyone else, or maybe writing a newspaper column - except millions of us do it, which certainly isn't the case in the press. I have no idea what the moral of this observation is - and I doubt there actually is one - I suppose it's plus ça change, or something pithy about the equipment changing but not the operator...

Monday, 19 January 2009

Star Crossed

Every now and then you can't beat Gone With the Wind as a great, lazy, sandwich-eating way to spend an afternoon. Apart from Gandhi it's the only film I've ever seen that admitted it needed an intermission (and even had special intermission music! You can't fault David O Selznick for grandeur of scale). And I think the intermission in Gandhi was only there because the cinema management thought, quite rightly, that we might need it. I went to see The Unbearable Lightness Of Being as a student, and secretly rechristened it The Unbearable Numbness Of My Bum, although that may have less to do with the undeniable length (and lack of intermission) of the actual film and more to do with the fact that, if you're not a big fan of Daniel Day Lewis, the sight of him saying "Take your clothes off" FORTY-SEVEN BILLION TIMES can get a little wearisome.

Anyway, back to Gone With the Wind - my delightful friend Marky Mark told me that apparently Margaret Mitchell was a total fan of astrology, and had deliberately written the novel so that each of the main characters was a perfect archetype of a particular star sign, as follows:

Scarlett O'Hara = Aries
Rhett Butler = Sagittarius
Ashley Wilkes = Pisces
Melanie Wilkes = Cancer
I think I more or less got that right. It's a great theory but I worry for the future of fiction if, on top of unsolicited quibbling about inaccuracies in period detail etc, the author was also subject to letters arguing that no Libra would behave like that... but then I would worry, being a Pisces.
(The picture above, by the way, comes from my favourite scene in the film, when Scarlett's unlamented second husband has just died, and she's drunk the better part of a bottle of brandy - Rhett comes to see her, and as she's desperately rinsing her mouth out with eau de cologne to hide the smell of booze, Mammy shows him in with the line "Mr Rhett's here to see you, Miz Scarlett. I told him you was prostrate with grief.")

Monday, 12 January 2009

The Point Of No Return

At what point in one's life do embarrassing songs simply stop being embarrassing? And why? When we were children we would happily bop about to pretty much anything with a beat (how else to explain the constant popularity of inane dross like the Tweenies, Take 5, Sportacus, etc etc...). And then puberty struck, and everything reduced us to paroxysms of squirming, particularly if our parents liked it. In fact, as I remember, you were only allowed to admit you liked songs/bands of almost proscriptive obscurity - if you'd caught the name late at night on John Peel and nobody else had even heard of them yet, that made it all the cooler. And if they ever got into the charts, you had to stop liking them immediately and whine about how they'd sold out. In my day it was tantamount to social suicide to admit you liked anything that could even vaguely be categorised as "disco" (ie anything poppy with a beat), which led to a huge crisis at parties - in the event that you did anything as uncool as dancing, rather than sneering in eyeliner from the edge of the room, there was very little you could actually dance to. Gothy posturing to Joy Division hardly counts, as it's more in the ballpark of "I will now portray Anomie And Social Despair through the medium of modern dance".
So - when was it that the disco rot started creeping in? I have a memory of a distinct turning point in my second year at college, when I shared a huge house with (among others) a girl who would unashamedly start a Saturday night off with "Never Too Much" by Luther Vandross. It was all downhill from there. And once you've conceded that Abba are possibly the finest popsters in the world, and you stand up to be counted, admitting with barely a blush that you know all the words to "When I Kissed The Teacher", well, the primrose path to Shameless Musical Leanings beckons. Rapidly you find you actually know the dance to Bucks Fizz's "Making Your Mind Up". You play the Nolan Sisters at parties. And songs such as the one below are greeted with whoops of delight rather than the general slinking off in shame that they deserve. Go on, admit when Marks and Spencer used it in an advert you were actually pleased to hear it again...

Friday, 2 January 2009

Christmas with La Boheme



Picture the scene. An opera house stage, swagged in crimson velvet. The house lights go down, leaving only the scalloped brass footlights aglow. As the curtain slowly rises, we see before us a threadbare chaise-longue in a draughty, ill-lit Paris garret of the 19th century, upon which a frail figure in a tattered nightgown lies, coughing weakly into a tiny scrap of bloodstained lace hanky. Alone, uncared-for, the helpless figure of Mr Fishwife prepares for his final aria as a cruel world leaves him to perish of consumption. Beside him, the burly figure of, well, me, weeps in a baritone voice (I'm bordering on basso profundo at the moment).

Happy New Year! As I write I'm clutching a packet of Day Nurse capsules in one hand and a large cup of tea in the other. Oh yes, Mr Fishwife's flu has finally got its claws into me and all my attempts to dodge it have failed. Inevitable, really, when one is sharing the same bed as someone already afflicted and they are coughing lavishly into one's face at all hours of the night. So far I fear I may have infected not only Mr Fishwife's mother but also my entire family, Inexplicably Single Martyn and his parents, four of my closest friends, their nieces and nephews, and most unforgivable of all, a pregnant woman. I won't go on again about the joys of Night Nurse, but it beats champagne hands down as this year's best tipple for the festive season. On the plus side, I sneezed on somebody very rude on the Tube.

Monday, 22 December 2008

An odd and apparently separate part of the brain

Imagine you're a police officer, and you're attempting to establish whether there have been witnesses to a crime. We've all seen Identikit pictures of suspects on the news, and they look nothing like a real person. Often they look like a Muppet. And when the suspect is black or Asian, often the different parts of their Identikit face are slightly different colours, adding insult to injury. However - apparently there has been extensive research into how people recognise a face in a picture, and the quickest and easiest way to jog their memory is to show them a picture of somebody famous who resembles the suspect, and ask them if they saw a man who looked like, for instance, Tommy Lee Jones (a scary prospect in itself). Without going into too much scientific detail, it's mainly because our memory of a face is as a whole, and breaking it down feature by feature is far harder to do. Fascinating, no? And something I've been doing as far back as I can remember. Whenever someone tells me about a new boy/girlfriend my first question is always "Who would play them in a film?" - obviously you have to make allowances for the fact that leurve can vastly improve the looks of a potential suitor but if they say "Ooh maybe Hugh Jackman...?" I can assume it's some man who is tall, smiley, and quite good-looking (and possibly Australian). One of the best drunken dinner-party conversations I've ever had was when we were all deciding who would play us in the films that would inevitably be made of our lives - Philip Seymour Hoffman loomed large (not playing me, obviously, but as my friend Marky Mark), although my friend Steak and I nearly came to blows over who got Laura Linney. I fobbed her off with Mena Suvari (well, Steak does look about 15). Everyone tried to make Mr Fishwife feel better about his comprehensively (and prematurely) grey hair by saying "Well, obviously George Clooney". And all at once I was reminded, depressingly, of the colleague I once had (who, himself, looked like Hugh Grant in About A Boy) who considered the idea for a while and then finally decided I looked most like Axl Rose.


No, seriously, which one would you prefer if you were me????

Thursday, 11 December 2008

Ant and Flea

Ah, the joys of chip and pin. Or flea and code confidentiel, as the French like to call it. As if to add insult to injury at this stressful time of year, not only are the shops full to bursting (surely a good sign in a recession?), but heavy electronic traffic means that the card machines take longer to process a transaction, thus leading to so much tsk-ing from customers that it sounds like a small delegation of Kalahari tribesmen. I used to work for A Large French National Airline, some years ago, and one year the annual sales conference was entirely given over to the advent of "le ticketless" - or, as London residents know it, the Oyster Card. An enthusiastic and almost incomprehensible speech in rough franglais was given by a fervent IT nerd flown over from Charles de Gaulle airport, during the course of which it transpired that they hadn't bothered to look up what the English words for "chip and pin" and "electronic chip reader" were. Imagine a room full of French and English salespeople, half of whom can't understand what their compatriot is saying, because his English is appalling but, well, English, and half of whom can't understand what the French guy is saying because his vocabulary is deeply odd. After telling us how an ant would be installed at every checkin desk, he went on to explain that you would simply have a flea in your wallet. The flea would be updated by the sales staff, and then in order to board the plane you would pass another ant. You would show the ant your wallet (at which point all the English sales staff nudged each other and muttered "Let the ant see the wallet, mate"). Then in a frenzy of sweaty specialist excitement (his) and confused silence (ours) he sat down. We were left none the wiser except that you had something in your wallet that you showed to something else. At which point another Big Boy from Paris stood up and said, and here I transcribe as it was spoken, "Euh, many thank to my esteem collègue. His words 'ave given us many food for thought. Let us all give him the clap."

Monday, 1 December 2008

Feelgood horror fiction

Yes, there is such a thing. Although I'm using the word "horror" as a kind of general catch-all to include supernatural shenanigans of any kind. I've recently read a number of books whose authors breathlessly cite Stephen King as their muse, their inspiration, and their spiritual father. Sadly, not one of them had what it took. And that's not to say that they were badly written, just that they seemed to have totally missed the point about Stephen King, which is that he doesn't really write horror. I know, I know, he is the mainstay of every Horror section in every bookshop in the world, and arguably made the genre the mainstream moneyspinner it has become for so many publishers. However. Horror, to me, is what James Herbert writes - bleak, nasty, and full of rats, with everybody dead or mutilated at the end. While Stephen King has a limitlessly gruesome imagination, what he also has is a phenomenal sense of decency. You can tell that Stephen King was the fat speccy boy who was mercilessly bullied at school, and as a result has become the champion of the underdog. Almost every one of his heroes is a weak character - a battered wife, a small child, an old woman, a kid with a stammer/glasses/weight problem. And by the end of the book, natural justice has (usually) prevailed in their favour. It's the satisfying and very black-and-white morality of fairy tales. In the same bracket I'd put Muriel Grey (yes, the weeny Scottish Annie Lennox-clone from The Tube), John Connolly and the truly wonderful Phil Rickman. I was having huge difficulties getting off to sleep last night (Sunday night syndrome) and realised that it was because I had three chapters left of To Dream Of The Dead by Phil Rickman - and I had to put the light on and finish it, reassuring myself that embattled female vicar (and Deliverance minister) Merrily Watkins and her grumpy New Age daughter Jane would be OK. Of course they were, because Phil Rickman is (and I say this with the utmost respect for both of them) another Stephen King. Albeit an uncompromisingly British one.
The lovely Phil Rickman (on left). In his day job as BBC Radio Wales' "Phil The Shelf". Won't bother with a picture of Stephen King because you all know what he looks like.