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Over the weekend, I enjoyably worked through not one but three works of fiction*. None of them, I might add, set in Islington. Every now and then I would look up at the television and it took me a while to notice that he was watching the same rugby match for the third time. "Haven't England already played Argentina?" I said. "Oh all right, all right," he replied defensively "You know how you like to reread a book for the style and the language? Same thing." My conclusion is that there is a frustrated literary stylist in all of us. In some people it only reveals itself as a love of the finer points of a rugby match.
* The Little Stranger by Sarah Waters - excellent, very creepy in a postwar Daphne du Maurier kind of way, and unusually not a Sapphic interlude in sight.
Noah's Compass by Anne Tyler - I do like her. And found myself distressingly identifying with the slightly tetchy 60-year-old male main character.
Turbulence by Giles Foden - Actually still only halfway through this one so will have to reserve judgement until I've finished. Beats Ladysmith into a cocked hat though. Up there with The Last King Of Scotland so far.